<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-492910483330677677</atom:id><lastBuildDate>Fri, 18 Nov 2011 13:49:56 +0000</lastBuildDate><category>Etiopia</category><category>Pakistan</category><category>Sahara</category><category>Sister Ray</category><category>Nusrat Fateh Ali Khan</category><category>Psychedelic</category><category>Elettronica</category><category>Turchia</category><category>Siberia</category><category>Throat Singing</category><category>Western Sahara</category><category>Dakhla</category><category>Mercan Dede</category><category>Tuva</category><category>Sublime Frequencies</category><category>Mongo Santamaria</category><category>Pastiche</category><category>Mediterranean</category><category>Jazz</category><category>Real World</category><category>Sufi</category><category>Rai</category><category>Canada</category><category>Africa</category><category>Ghazal</category><category>Algeria</category><category>Robert Fripp</category><category>India</category><category>Shakuhachi</category><category>Raga</category><category>Salmou Baamar</category><category>Hendrix</category><category>Peter Gabriel</category><category>Khoomei</category><category>Nay</category><category>Qawwali</category><category>Radio</category><category>Stephan Micus</category><category>Ethio-Jazz</category><category>Sho</category><category>Tidinit</category><category>Compilation</category><category>Group Doueh</category><category>Flea</category><category>Mulatu Astatke</category><category>Musica Classica Indiana</category><category>Cheikha Rimitti</category><category>Radio Palestine</category><category>Ocean</category><category>Doueh</category><category>Jimi Hendrix</category><category>Dulcimer</category><category>Collage</category><category>Palestine</category><title>λωτός lotós</title><description></description><link>http://gerbaszizyphus.blogspot.com/</link><managingEditor>noreply@blogger.com (Flavio Del Prete)</managingEditor><generator>Blogger</generator><openSearch:totalResults>9</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-1689646961184565704</guid><pubDate>Fri, 26 Nov 2010 09:17:00 +0000</pubDate><atom:updated>2010-11-26T11:19:04.069+01:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Radio Palestine</category><category domain='http://www.blogger.com/atom/ns#'>Palestine</category><category domain='http://www.blogger.com/atom/ns#'>Compilation</category><category domain='http://www.blogger.com/atom/ns#'>Mediterranean</category><category domain='http://www.blogger.com/atom/ns#'>Pastiche</category><category domain='http://www.blogger.com/atom/ns#'>Radio</category><category domain='http://www.blogger.com/atom/ns#'>Collage</category><category domain='http://www.blogger.com/atom/ns#'>Sublime Frequencies</category><title>Radio Palestine: Sounds of the Eastern Mediterranean [Sublime Frequencies, 2004]</title><atom:summary type='text'>Rompo il silenzio degli ultimi mesi con una raccolta di Sublime Frequencies: "Radio Palestine: Sounds of the Eastern Mediterranean". Il disco è un pastiche caotico di registrazioni lo-fi - per necessità, più che per scelta estetica - da radio ad onde corte.
Alle spalle di "My Life in the Bush of Ghosts", c'è stato uno scambio fittissimo di bobine dalle provenienze più disparate tra Brian Eno, </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/11/radio-palestine-sounds-of-eastern.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_B2QioB9h7pA/TO9uoY95PhI/AAAAAAAAA5Y/tOBJLXOpVag/s72-c/palestine_cover.jpg' height='72' width='72'/><thr:total>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-8576912146566318655</guid><pubDate>Tue, 18 May 2010 10:22:00 +0000</pubDate><atom:updated>2010-05-18T15:59:02.818+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Mongo Santamaria</category><category domain='http://www.blogger.com/atom/ns#'>Jazz</category><category domain='http://www.blogger.com/atom/ns#'>Etiopia</category><category domain='http://www.blogger.com/atom/ns#'>Mulatu Astatke</category><category domain='http://www.blogger.com/atom/ns#'>Ethio-Jazz</category><title>Mulatu Astatke - New York - Addis - London (The Story of Ethio Jazz 1965-1975) [Strut, 2009]</title><atom:summary type='text'>Nell'anno di pubblicazione di "Mulatu Steps Ahead", ultima uscita discografica del pioniere dell'Ethio-Jazz Mulatu Astatke, e ad un anno dalla sbalorditiva collaborazione con gli Heliocentrics, Strut records batte il metallo ancora rovente gettando in pista una retrospettiva sulla carriera del musicista intitolata "New York - Addis - London (The Story of Ethio Jazz 1965-1975)". Tre città, tre </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/05/mulatu-astatke-new-york-addis-london.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_B2QioB9h7pA/S_JpoD3EusI/AAAAAAAAA5M/9jF0dV56E64/s72-c/2500166.jpg' height='72' width='72'/><thr:total>1</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-8018247613640347220</guid><pubDate>Thu, 08 Apr 2010 09:38:00 +0000</pubDate><atom:updated>2010-04-11T15:52:26.373+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Dakhla</category><category domain='http://www.blogger.com/atom/ns#'>Salmou Baamar</category><category domain='http://www.blogger.com/atom/ns#'>Western Sahara</category><category domain='http://www.blogger.com/atom/ns#'>Jimi Hendrix</category><category domain='http://www.blogger.com/atom/ns#'>Doueh</category><category domain='http://www.blogger.com/atom/ns#'>Africa</category><category domain='http://www.blogger.com/atom/ns#'>Sister Ray</category><category domain='http://www.blogger.com/atom/ns#'>Psychedelic</category><category domain='http://www.blogger.com/atom/ns#'>Group Doueh</category><category domain='http://www.blogger.com/atom/ns#'>Tidinit</category><category domain='http://www.blogger.com/atom/ns#'>Hendrix</category><category domain='http://www.blogger.com/atom/ns#'>Sahara</category><title>Group Doueh - Treeg Salaam [2009]</title><atom:summary type='text'>Nel bene e nel male, la chitarra di Jimi Hendrix ha influenzato generazioni di musicisti in ogni angolo del globo.
È banale principiare un articolo con una simile affermazione, ma meno banale è constatare come il suono di quella seicorde sia filtrato in maniera differente attraverso la cultura e la storia di paesi in un'area tutto sommato circoscritta.
Ed è così che, nello stesso deserto, </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/04/group-doueh-treeg-salaam-2009.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_B2QioB9h7pA/S72Wf8PitrI/AAAAAAAAA4M/F5lgPdEkggM/s72-c/group+doueh+2.jpg' height='72' width='72'/><thr:total>3</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-9218827669588155386</guid><pubDate>Sun, 28 Mar 2010 13:19:00 +0000</pubDate><atom:updated>2010-04-08T11:45:11.981+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Ocean</category><category domain='http://www.blogger.com/atom/ns#'>Dulcimer</category><category domain='http://www.blogger.com/atom/ns#'>Sho</category><category domain='http://www.blogger.com/atom/ns#'>Stephan Micus</category><category domain='http://www.blogger.com/atom/ns#'>Nay</category><category domain='http://www.blogger.com/atom/ns#'>Shakuhachi</category><title>Stephan Micus - Ocean [1986]</title><atom:summary type='text'>Opera divisa in quattro parti, la cui riproduzione libera  un oceano di  emozioni straordinarie, a volte calmo, altre volte impetuoso. Ocean se la gioca con Implosions per il titolo di disco più bello ed emozionante del musicista tedesco. In questa occasione, Micus dimostra una maggiore padronanza dell'orchestra di strumenti che accompagnano il suo canto persiano; troviamo infatti lo shakuhachi, </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/03/stephan-micus-ocean-1986.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><thr:total>1</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-3973587726755280612</guid><pubDate>Sun, 31 Jan 2010 14:37:00 +0000</pubDate><atom:updated>2010-04-08T18:25:16.674+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Real World</category><category domain='http://www.blogger.com/atom/ns#'>Sufi</category><category domain='http://www.blogger.com/atom/ns#'>Peter Gabriel</category><category domain='http://www.blogger.com/atom/ns#'>Nusrat Fateh Ali Khan</category><category domain='http://www.blogger.com/atom/ns#'>Qawwali</category><category domain='http://www.blogger.com/atom/ns#'>Pakistan</category><title>Nusrat Fateh Ali Khan - Love Songs (1992)</title><atom:summary type='text'>
 
Il Qawwali è la musica sacra eseguita nei templi sufi, nato in Afghanistan circa 700 anni or sono. 
Semplificando, molto banalmente possiamo asserire che lo scopo è quello di indurre musicista e pubblico in uno stato catartico facendo leva su un ritmo sempre più incalzante e del cantato e della musica.

 
Un'esecuzione Qawwali può essere suddivisa per contenuti (tratto da wiki):

 
Hamd: il </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/01/nusrat-fateh-ali-khan-mustt-mustt-1990.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><thr:total>4</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-988362024221991950</guid><pubDate>Mon, 25 Jan 2010 09:35:00 +0000</pubDate><atom:updated>2010-04-11T08:58:34.852+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Ghazal</category><category domain='http://www.blogger.com/atom/ns#'>India</category><category domain='http://www.blogger.com/atom/ns#'>Raga</category><category domain='http://www.blogger.com/atom/ns#'>Musica Classica Indiana</category><title>Ghazal - Moon Rise over Silk Road (2000)</title><atom:summary type='text'>Ghazal significa "canzone d'amore" ed è un tipo di canzone Qawwali  apparentemente inneggiante ai piaceri terreni, in realtà è un'allegoria dell'anima, che nel luogo di ritrovo spirituale (la taverna), può o non può raggiungere la conoscenza di Dio (l'oste), può star male per il troppo bere, oppure rallegrarsi. 


Trattasi di un duo indiano (Kayhan Kalhor [fiddle persiano], Shujaat Khan [sitar]) </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/01/ghazal-moon-rise-over-silk-road-2000.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_B2QioB9h7pA/S11lCs30GNI/AAAAAAAAA34/Su0vIb91afo/s72-c/179507.jpg' height='72' width='72'/><thr:total>1</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-51695142248939436</guid><pubDate>Tue, 19 Jan 2010 08:31:00 +0000</pubDate><atom:updated>2010-01-19T09:47:49.529+01:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Canada</category><category domain='http://www.blogger.com/atom/ns#'>Mercan Dede</category><category domain='http://www.blogger.com/atom/ns#'>Sufi</category><category domain='http://www.blogger.com/atom/ns#'>Turchia</category><category domain='http://www.blogger.com/atom/ns#'>Elettronica</category><title>Mercan Dede - Sufi Dreams (1998)</title><atom:summary type='text'> Mercan Dede (aka dj Arkin Allen, aka Arkin Ilicali) crede che quando si mescolano suoni digitali ad altri creati da strumenti suonati dall’uomo, si crea un linguaggio universale, capace di unire vecchio e nuovo, antico e moderno, est ed ovest.Può sembrare un’affermazione forte, ma il musicista/produttore/DJ, nato in Turchia e formatosi a Montreal, ha la sua musica per sostenere la sua tesi. </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/01/mercan-dede-sufi-dreams-1998.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><thr:total>3</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-5504045436712544262</guid><pubDate>Sun, 17 Jan 2010 09:53:00 +0000</pubDate><atom:updated>2010-01-19T09:48:48.880+01:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Khoomei</category><category domain='http://www.blogger.com/atom/ns#'>Siberia</category><category domain='http://www.blogger.com/atom/ns#'>Tuva</category><category domain='http://www.blogger.com/atom/ns#'>Throat Singing</category><title>Tuva Ensemble - Tuva: Voices from the Land of the Eagles (1991)</title><atom:summary type='text'>Voices from the Land of the Eagles si apre con 3 minuti di assolo di igil, prima dell’ingresso dello strumento più naturale: la voce. La diplofonia, diceva Stratos, è un fenomeno riscontrato negli esercizi di riscaldamento vocale dei monaci tibetani, secondo Demetrio, il secondo suono era del tutto involontario. Tuttavia, con esercizi mirati, atti a sviluppare e padroneggiare questa </atom:summary><link>http://gerbaszizyphus.blogspot.com/2010/01/voices-from-land-of-eagles-si-apre-con.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_B2QioB9h7pA/SjX84SO9EDI/AAAAAAAAA2U/qMDOFwP0bsE/s72-c/661018.jpg' height='72' width='72'/><thr:total>2</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-492910483330677677.post-6877817396266411006</guid><pubDate>Thu, 05 Nov 2009 09:36:00 +0000</pubDate><atom:updated>2010-04-11T08:59:12.506+02:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>Rai</category><category domain='http://www.blogger.com/atom/ns#'>Flea</category><category domain='http://www.blogger.com/atom/ns#'>Algeria</category><category domain='http://www.blogger.com/atom/ns#'>Cheikha Rimitti</category><category domain='http://www.blogger.com/atom/ns#'>Robert Fripp</category><title>Cheikha Rimitti - Cheikha (1996)</title><atom:summary type='text'>




Cheikha Rimitti (nata Saadia El Ghizania, nel 1923) è stata una cantante algerina, esponente di spicco della musica Raï.
Originaria di Tessala, Saadia è rimasta presto orfana, e fu costretta sin da bambina al duro lavoro nei campi.
Formatasi come ballerina e cantante tradizionale, si trasferì a Relizane per dedicarsi alla scrittura di nuove canzoni, incentrate sulla povertà del popolo </atom:summary><link>http://gerbaszizyphus.blogspot.com/2009/11/cheikha-rimitti-cheikha-1996.html</link><author>noreply@blogger.com (Flavio Del Prete)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_B2QioB9h7pA/SvKb2keuB-I/AAAAAAAAA3s/3UEQ5QryqiY/s72-c/344220.jpg' height='72' width='72'/><thr:total>1</thr:total></item></channel></rss>
